In 1995, I was 15 and I kept myself to myself. Music was my confidante. 

Smashing Pumpkins was my favourite band to listen to when I wanted to transcend to a diff dimension. 

Mellon Collie and the Infinite Sadness was a double-album which was full of melodic, ethereal, trans music with a dash of electric guitars, drums and thick bass lines by D’arcy. Billy Corgan’s voice and his extraordinary songwriting skills helped me travel to cloud nine without drug consumption (I don’t do drugs. Never did. Never do. Never will.)